![]() I've moved on and gotten used to the interface we have, and I've gone with two workarounds: 1) I use a dual-screen layout that splits half the pallets to one side and the other half to the other side, and 2) I save Layout Presets to emphasize or deemphasize the specific panels and modes I need to see. I was told around 2009, "doing that with Resolve would affect performance and cause other issues, so we can't do that." And 2K went away, and we were actually thrilled with a lot of the new features (and much lower cost) of Resolve.Ĭould they redesign the GUI from scratch and provide that capability? I have no idea. We had multiple desktops, dockable interface panels, and quite a bit of customization. We had this ability in the late 1990s and throughout the 2000s with the original daVinci 2K, which was the essentially hardware version of what Resolve is today. It'll also give you some information about your In and Out points, as well as the duration contained therein.TCP786 wrote:It would be awesome* if you could undock the different windows, move them around freely, and also be able to dock them in different places within the main UI. This adorable little window gives you the timecode identity of the frame that you've parked your playhead on. The Timecode Panel: Probably the simplest panel in Premiere Pro.Additionally, you can keep track of their statuses and get a glimpse at any processes that have failed. ![]() ![]() The Progress Panel: You can use this panel to find any jobs running in the background.The Events Panel: If anything goes wrong, this is where Adobe Premiere will report the problem to you formally.This is essentially an export window when the user's intended output is physical media, like tape. The Edit-to-Tape Panel: Again, Premiere demonstrates the pride that they take in accommodating an obsolete workflow.If you have no idea what a DV tape or a FireWire cable is, you probably don't need to worry too much about anything shown here. ![]()
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